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Francesco Olivieri

Francesco Olivieri
La milonga dei maroni cotti

di Carina Spurio

La milonga dei maroni cotti.
E’ il titolo del cortoromanzo pop di Francesco Olivieri, scritto in maniera ironica e divertente. L’autore, servendosi di espressioni comiche affronta il comune senso del pudore e del buon gusto senza remore. All’interno del libro, i malesseri della nostra epoca si susseguono in capitoli, tra accenti di costume, politica e psicopatologie di vita quotidiana che contribuiscono the dance of the "cooked chestnuts," which "rotate" also on what women always pretend not to know and not to see, as in this passage:
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"I understand the ordeal of Jesus Yes Yes, I not only understand, but I tried it several times. And every time I tried to exempt themselves from the torture of the women, but there is nothing to do. O Calvary or no pussy. Would you like the Bermuda Triangle? Then you suffer in silence, do not piss and subjection of the wagon km walk to the shops of perfumery, clothing, shoes and jewelry. The stages were fourteen for Christ, but I know when you start, but I do not know when it ends. The iPod can not take it, it seems that you give a damn. You can not even call friends. You have to show an attitude of mock eligible and only the second store where your scarrozza her as a kind of dog you got the balls, which in synchronous rhythm, they're still swimming in the Olympic pool that you left a few minutes ago to begin a journey into the underworld without knowing whether there will be a Virgil who will pick you up. The voice, that at the beginning is normal, almost powerful, in the mid-afternoon, surrounded by hysterical orders, inguinal clothing, perfumes of all kinds, air conditioning with a ball that destroys you can turn my neck, I said, your voice becomes more and more feeble. [...] Meanwhile, while she is half shop test, you will do a screening of the chick that circumnavigates the four sides of the place made for the female gender, see, beyond the rehearsal room, a blank stare, you recognize and realize that another like you going through the same ordeal. [...] But you're a stoic, even if you are there just about to say but go to hell you and your stupid purchases. Patients seek nirvana in you, you feel an ascetic, recite the mantra Om with the cosmic, and focus your thoughts on that wonderful organ that has between her legs and in a few hours you will be rewarded. [...] You're going home with her lit up like a lady after the ascent to heaven. Ports, so you bring it all home, she throws herself on the bed, says, <>. The alternatives are two: either kill, or thrombus, and kill. Decide for the third, sleep and hope you wake up in another world. "

comic tradition, he sees" the last men, "as Nietzsche calls them, go over the stereotype that celebrates hedonism and to channel the vital energy to the needs one's own ego, at a time when the new individual is social uniformity and fragments spiritually, slave, in some cases, the laws of the market and the cult image. Francesco Olivieri, enter into a conscious way in the sad truth of our life, legitimized by ritualistic ceremonies and rituals of daily life coming from the blessed families, which, sequentially, handed down from father to son psychological violence that the descendents adopt in the name of love. Highlights the difficulties of adolescents, the desire of the fixed place, sexual anxieties, giving rise to thoughts prisoners of elementary conditions, which, the author draws the irony. Francesco Olivieri, the rod-day challenges that among duties, pleasures, anxieties, obsessions dance in a grotesque realism, rigid schedules and drugged by the conventions to which, in accordance with a mass and content, blends of insecurity. The milonga

of cooked chestnuts pop
Cortoromanzo
Publisher Leone. Milan

June 2009

Francesco Olivieri was born in Bologna in 1975. He lives in Verona. He graduated in Communication Sciences, having worked for four years with the Corriere del Veneto Corriere di Verona. Currently is writing about Dnews complimentary newspaper and magazines NoemaPress. In his heart there is always the music he wrote for Jazzit. Besides dealing with journalism, he worked in the commercial management of Italian items. Deeply loves women, good food and celebrate with friends every small event of life.

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Teramo. Il mensile della città.Giugno 2009

CARINA Spur, NEW TALENT OF WRITING
Poetry understood as flowing dell’anima e folgorazione dei sensi
di Lucia Mosca

Carina Spurio, talento della scrittura. Nata a Teramo, si è diplomata all’Istituto Magistrale Giannina Milli di Teramo. Ha pubblicato varie raccolte poetiche: “Il sapore dell’estasi” (Kimerik, 2005), “Il sapore dell’estasi”, in riedizione aggiornata (Kimerik, 2006), “Lacca di garanza” (Il filo, 2007), “Tra Morfeo e vecchi miti” (Nicola Calabria Editore, 2008), “Narciso” (Evoè, 2009). Trenta le antologie poetiche che in tutto contengono sue opere. Di recente ha redatto la premessa di “Silenziosi frutti” di Stefania Pierini, edito dall’Accademia della Fonte meravigliosa. Collabora con diversi mensili: Hermes, Domus, Eidos, Notizie Donna, L’unico; Il ReteGiornale. Affascinata dal mondo della scrittura, Carina dichiara di aver sempre “amato spiare la penna muoversi nel bianco tra un tratto continuo e uno spezzato. Nello stesso bianco, senza più spazio, vedere riempirsi quel vuoto”. Folgorata da Il piccolo principe di Antoine de Saint_Exupéry; libro “divenuto ormai senza tempo e senza età tra il senso della vita, l’amore e l’amicizia”, ha poi proseguito nella propria crescita con Un Uomo di Oriana Fallaci nel periodo dell’adolescenza. Porta sempre con sé Il Codice dell’anima di James Hillman. Dice di amare Teramo, “con tutti i suoi limiti di città di provincia anche quando diffida dei nuovi talenti e come una donna frigida non sente il piacere”. Narciso è un’antologia poetica che contiene liriche autobiografiche selezionate dai quattro libri di versi pubblicati nel triennio 2005-2008. Sei liriche sono inedite e tra queste si trova appunto la poesia “Narciso” dalla quale prende il nome la raccolta. Si tratta del quinto testo poetico edito in cui si capta la folgorazione di Carina per la poesia. “Narciso - spiega Carina - si specchia da secoli nel mito e nella sua immagine, tra limpide acque e silenziose nostalgie, rapito dal suo mistero; proprio come ho fatto io stessa cercando within my poetic production of my essence. Consequently, the cover image created by Giampiero Pierini, Roman is a watercolor portrait of mine. " His writing is aimed at an audience, "cute including the pain that remain unknown to the world, one of them is the pain of the poet like a humiliating torment, compulsive." Writes about her Maurizio di Biagio, journalist: "In Carina Spurrier even love - that moves the sun and other stars - rhymes with heart. Garcia Lorca in the mind and soul, and moods, and arms, necks and near misses, to worlds and damn sensitive land, visceral. In short, "Syn and aisthànestai" for the poet "and feel together," Loose associations within a single image, full of nouns and adjectives belonging to different sensory spheres, in a relationship of mutual interference gives rise to a vivid novel.